From the alternate history versions of 1940s America in Netflix’s “Hollywood” and HBO’s “The Plot Against America” to the very real reflection of the 1970s and 1980s political movements over the Equal Rights Amendment in FX on Hulu’s “Mrs. America,” muted tones, warm glows and bold energies were the palette of choice for production designers who created fictional worlds, often in real-life locations.

For “Hollywood,” set in a post-World War II Tinseltown that actually embraced inclusion, production designer Matthew Flood Ferguson recalls executive producer Ryan Murphy requesting “that golden Hollywood sheen and harvest tones.”

This set a
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