Don’t be surprised if the finale of “Acidman” doesn’t summon the cathartic feelings suggested by its premise, wherein an eccentric recluse and his estranged daughter try to heal their familial fracture. Director Alex Lehmann shrewdly chooses not to construct his strife-filled scenarios this way. Rather, those emotions tend to hit later, unfolding long after the credits roll. The film’s poignancy lies in the way these characters authentically grow from their jagged-edged conflicts, enlightening each other on their issues while bridging their cavernous divide. Though not without its flaws, this resonant, resourceful indie drama leaves a gentle imprint on audiences’ souls.

Thirtysomething Maggie (Dianna Agron) is clearly carrying a lot of baggage, both emotional and physical, when she arrives at her father Lloyd’s (Thomas Haden Church) decrepit trailer deep in the Pacific Northwest. She’s traveled thousands of miles to reunite with him, though she’s unsure
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