A couple of times over in “When It Melts,” the directorial debut of Belgian actor Veerle Baetens, Eva, played as a morose, withdrawn adult by Charlotte De Bruyne, looks at a photograph of herself as a 13-year-old. In the picture, child-Eva (Sundance prizewinner Rosa Marchant) is grinning a lopsided, optimistic tomboy grin, unaware of the violent end of innocence lying in wait for her. The space between these two Evas — a vast gulf not just temporal but scarringly psychological — is territory painstakingly mapped out by Baetens, whose grip on the tone of gathering dread is sure, until it becomes suffocating. As the story pivots back and forth between its two timelines, as though hoping one will hold the key to the other’s release, it grows oppressive, as hard to witness as a cornered bird battering itself helplessly against one window, then the next.

Eva is a shy photographer’s assistant,
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